Friday, 31 May 2013

How a Book is Made: The Designer

Meet Nigel Jordan, graphic designer.


Nigel designed all the inside pages for the Read On books, include Lone Wolf.
Nigel is going to tell you about how he put the words and pictures together in the pages of this dark and thrilling tale.



Nigel says:

The design of a new book starts with the ‘design brief’ from the publisher. This gives me the basic information I need:
 Page size
Whether the book is colour or black and white
The number and style of illustrations or photos
The age of the intended reader and
The suggestions and requirements of the publisher.

In the case of Lone Wolf, making the pages visually interesting wasn’t too difficult.
With Matt Timson’s stunning illustrations providing the main imagery, I had to ensure that the other graphic elements on the page, such as chapter headings and pages numbers, enhanced the look rather than detracted from it.


Nigel’s work station in his home studio, where he worked on Lone Wolf 

Where to start. A read-through of the author’s manuscript showed werewolves figured strongly.
A red and black colour scheme along with the illustration style suggested a ‘dark feel’ to the book.


Claws, teeth, scary eyes and blood, lots of blood – those were my first thoughts. I tried wolf eyes for the chapter headings and a single claw mark for the page numbers. Too fussy. The design evolved through a number stages and in the end both the eyes and the claw marks were replaced with blood spatters.




The author writes the story but sometimes spelling or grammatical mistakes can be left in. My first layout or ‘proof’ doesn’t include the illustrations or the graphics, just the words, so these can be checked.

This is then ‘marked up’ by the proof reader and I make their changes. In this way the text is refined so that it is the best it can be. After each set of changes I supply another and slowly the pages start to look more like they will when printed.


As well as looking at the appearance of the page, I also have to make sure that the text the reader is reading is a good size, using a clear and appropriate style of ‘font’*. There are a number of things which make a page easy to read and these include how many words are on each line and how far apart those lines are.



*There are many thousands of different fonts to choose from. 

These can make text look very different. Compare the chapter headings in Lone Wolf to the main paragraphs. You wouldn’t want all the words on the page to look like the chapter heading – that would be very difficult to read.

When everyone is satisfied with the look and quality of the text, I produce a PDF (Portable Document Format) file, which is sent to the printer to be turned into the finished book.


Nigel Jordan

Download this blog as an interactive classroom PowerPoint here!

Wednesday, 29 May 2013

How a Book is Made - The Editor

Meet Cathy Martin, editor.

Cathy is the Commissioning Editor for all the ‘Read On’ books including, of course, Lone Wolf.  This means she came up with ideas for the books and found authors and illustrators to make those ideas a reality!

Cathy is going to tell you about the many parts of the process for putting together Lone Wolf.

Cathy says …

My role as editor of ‘Read On’ involved coming up with and researching the idea of the whole series, and then working with a team of creative people to make it happen.
I first talked to teenagers in different schools about the kind of books they enjoyed reading. Of course, horror was a popular choice. One boy told me he would like to read a story where a bloody heart was ripped from someone’s body!

We were delighted that Alan Gibbons and his son Robbie Gibbons were able to write several stories for us. Here is the email Alan sent me with their first ideas:


The werewolf story sounded like it was just what we were looking for. Robbie wrote a short summary of the story and then the full manuscript of Lone Wolf arrived.

The editing process for Lone Wolf was very straightforward, as the first draft of the story was so strong.  There were just a few corrections to make.

A sample page from the real manuscript

The biggest decision was what to show in the illustrations.

In horror stories, as in horror films, the most scary moments are not when you see something horrible but when it is heard or suggested.

For most of the book we decided to focus on Danny’s thoughts and feelings as a boy, and to let readers imagine the werewolf for themselves. However, Matt Timson, our amazing illustrator, didn’t agree! He thought readers would definitely want to see the transformation on the page.

So, thanks to him, we have this image of Danny turning into a wolf on page 42.

Our designer Nigel laid out the book, we did some final checks and edits to make sure the text was just right, Paul finalised the cover, and then the files were sent to the printer.
The cover

Final pages from the book

Ten weeks later, Lone Wolf was here!



As an editor, nothing beats the thrill of holding a finished book in your hands. It was great to see those blood splashes and claw marks in the design, and the wonderful artwork to draw readers into Robbie and Alan’s story.  We may not have had a bloody heart but we certainly had an exciting and gruesome book ready to share.

– Cathy Martin

Download this blog as an interactive classroom PowerPoint here!

Tuesday, 28 May 2013

How a Book is Made - The Illustrator

Meet Matt Timson, illustrator.





Matt drew all the pictures on the cover and inside the exciting Lone Wolf book.
Matt is going to tell you about how he brought this dark and frightening tale to life with images.

Matt says ...

I was particularly excited about this project because I knew I’d be working on a book that I would’ve wanted to read when I’d been at school.

One of the things that I often disliked when I was a teenager was reading an illustrated story that had bad or boring art in it. The story itself is obviously the most important part of any book, but if you’re going to take the time and effort to include illustrations, why not make them the best illustrations that you can?

When I first started working as an illustrator, I worked on paper, with pencils, markers and paints. These days I work digitally, with several different drawing programs, and I use a Cintiq.


A Cintiq is a pressure sensitive screen that I draw straight onto with a special pen, in the same way that you would draw on paper.  If I make a mistake, I can just hit ‘undo’ and draw my line again. This means that I can experiment more and don’t have to wait for paint to dry.

The ‘illustration brief’ I got from the publisher for Lone Wolf  included a copy of the story for me to read, along with notes on the 14 full-page illustrations that needed drawing.
From this I produced something called ‘thumbnails’, which are tiny, rough sketches of what I think the publisher is after.  These were my initial 14 thumbnails.

These go off to the publisher so that they can discuss what they think works and what doesn’t.
These are the second round of thumbnails.

As you can see, there have been a few changes, but nothing too drastic. I was pleased that the publisher decided to include a picture of the boy changing into the wolf, as I think that’s what everybody really wants to see in a book about werewolves!
This was my initial line art, drawn in Manga Studio.

I sent this one back to the publisher and there was some discussion about whether or not he should look more human.
I was keen to leave it as it was – I think it’s more exciting to look at and definitely more fun to draw. fortunately, the publisher agreed!
Here, I’ve softened all the line art in Painter and Photoshop.

Back in Painter, I added grey tones to make the figure look more solid.

Back to Photoshop – this time I added more tone, texture and highlights, a layer at a time. By this stage, I was probably using around 10–12 layers! That way, if I made a major mistake, or just want to experiment with different ideas, I didn’t lose the work that I was already happy with and I could just delete the layer that I was working on.

This is the point where I would normally add colour as well, but the only real colour in this picture was around the eyes, so that’s all that’s on the colour layer.

The last thing I did for this piece was to add a slight colour tint in Photoshop, which made the whole thing a bit less grey.
Here is the final product, and how it looked in the book pages!


- Matt Timson
www.matttimson.com

Download this blog as an interactive classroom PowerPoint here!

Friday, 26 April 2013

Ask a female footballer - part 2


More answers to your questions from our fab female footballing gurus! Take a look at our other free resources for Here Come the Girls here.



[Rachel] I always think it helps to have a female role model. Being able to physically see the successes of someone you look up to, makes it easier to strive to reach something, especially when you know it is possible to do so.

It’s great news that BBC are going to include coverage of some of the WSL games and also a highlights programme on a weekly basis.

[Emma] Without a doubt I believe it makes a difference. I grew up without a female role model and at times was left underwhelmed by the general consensus of the nation that women can’t play football. Therefore I believe it’s vital for the youth of today to have inspirational female role models.

[Christie] I think it does to some degree. When I was growing up I only played football with boys or watched men’s football. I never really watched the woman's national team play until I was about 13 or 14. It opened my eyes to what opportunities were out there and inspired me to want to play for my country.

[Rachel] It’s hard to say whether or not it’s fair, as the media tend to publish what the readers and listeners want to hear. However, they are pivotal in helping to change perceptions and promoting the game and therefore the more positive press the better.

Naturally, as high performing, competitive athletes, when someone is critical or disregards the hard work you put in, you always want to show them otherwise.

I’ve played senior Women’s football for 6 years now and it’s important not to be distracted by negativity. I love the game and have my own reasons for trying to be the best I can be and it’s these reasons that help you to get to the top.

[Christie] George, first of all great to hear you’re a Glasgow City fan! I think the coverage in the media has improved over the years, however I believe that it could still get better. If we are able to get more coverage of woman's football, then I think we may be able to attract bigger crowds, and in turn sponsorship and investment to further develop our league.

[Emma] As a whole I believe women’s football does lack media coverage, however when I step on the park all my thoughts are to WIN. I don't train and play to gain media attention, but there is no doubt that greater media exposure and the benefits of it would enhance the women’s game
.




[Rachel] In my opinion, I would say yes. When I was younger, physically watching and meeting the players you look up to helps you to see what you need to do to reach your goals.
Being part of a family club at Glasgow City, the senior team loves hearing that the youth teams are growing and succeeding, and hopefully the club can continue to develop young players into Scotland Internationalists.

[Emma] As an internationalist at GCFC we are expected to be role models for our youth players. This means we offer advice about training, eating, resting and tactical play. The first team players take this role very seriously and we hope it makes a difference.

[Christie] I think it can help particularly if the player is a good role model and sets a good example for these young players to look up to and learn from. It can also show them what opportunities are out there for them if they work hard.



[Christie] That is a difficult question, I think that lack of support from friends and family may have an impact on performance, but these situations affect people differently, some worse than others. In terms of it influencing ability levels I think that whether or not you are exposed to the right type of training environment could to a greater or lesser extent help nurture a child's ability.

[Rachel] For me, the support I have received from my family and friends has been fundamental to the level of success I have achieved.  However, if you have a dream, you (as the player) are always in charge of how hard you try to reach that goal and therefore whether you have the support behind you or not, it’s always possible to get where you want to be.
I do think that it is a great help to have the support and stability around you, but that doesn’t make it an easy road to the top. Always work hard and prepare the best you can to give yourself the best chance to be the best you can be.

[Emma] Like anything else in life you want to be fully focused on doing your job to the best of your ability; distractions abound in all walks of life and as an elite player you have to temporarily erase all external issues and concentrate on the 90 minute game. I am extremely fortunate that I have overwhelming support from my family; my friends understand the responsibilities and commitments that I have with my football. Otherwise, they would no longer be my friends.

Monday, 8 April 2013

Ask a female footballer - part 1

We had some fabulous questions for our lady footballers from our lovely Tweeps. And the Glasgow City ladies have come back with equally fabulous and thoughtful answers!

Let us introduce you to your pro responders:


Your questions, answered:



[Rachel] Sadly some people still have a very outdated opinion of football. My advice is not to rise to such comments; the women’s game is the fastest growing sport in the world at the moment.

Even the top male players are now very supportive of their counterparts; Lukas Podolski tweeted last week to congratulations the Arsenal Women’s team on their success in the Champions League. Slowly but surely these perceptions will be driven out the game. Keep playing the sport you love!

[Emma] First and foremost sport in general is not limited by gender. Tennis players went through the same situation not so long ago and now look at their top players. I would advise Ruby to ignore the comments and strive to be the best she can be at the sport she enjoys.

[Christie] The same thing happened to me when I was young. Take no notice of it. Football is for everyone. If you enjoy playing don't let anything or anyone stand in your way. 


[Rachel] The combination of education and sport is very important and is something that the Scottish FA strives to improve and currently performance schools have been set up across Scotland in order to do this. It will allow elite players to combine both education and training demands in order to achieve success both academically and within their sport.

This is something that I don’t have much further knowledge on, however from a personal perspective, both education and sport have been important to me and I have always strived to make it possible to achieve as much as I can in both.

As well as being a Glasgow City and Scotland internationalist I have also got a first class degree in Accounting & Finance and am currently training to be a Chartered Accountant with Ernst & Young
LLP.  Although this has been very difficult and required a lot of hard work and discipline, it does prove that both can be achieved.

[Emma] There is a university and college which link up with the SFA, in which players from the age of 16 can have a full time education and attend training sessions along with strength and conditioning sessions. In addition to this there are performance schools set up around the country, where selected children can attend high school for education and football development. I'm sure there is nothing to stop a football club from forming a partnership with a college or university. 

Stay tuned for more answers over the next week! Find out more about women's football and Helena Pielichaty's fab new book 'Here Come the Girls' here.

Tuesday, 19 March 2013

Gail Newsham - The Dick, Kerr Ladies and me!

Hello! My name is Gail Newsham, and I am the author of the first book about ladies’ football to be written by a female football player. In a League of Their Own! is a history of the Dick, Kerr Ladies who were the most successful women’s football team the world has seen.

As we celebrate the 125th anniversary of the founding of the Football League, we should also remember the incredible achievements of the Dick, Kerr Ladies who were formed in Preston in 1917.

I first heard of them in the early 1960s when I was out in the streets playing football with the lads. I grew up near the factory where the team was formed and as the only girl joining in these games, I couldn’t quite understand how there could have been a ladies’ team, because when I went to school, girls weren’t allowed to play football.

But people in Preston always spoke very highly of the Dick, Kerr Ladies and I would often wonder about them with envy.

It wasn’t until 1972 that I began playing in a ladies’ team myself. The North West Women’s League was formed in the late 1960s and the FA finally lifted their ban on the ladies’ game in 1971.

But I had never met anyone who had played for the Dick, Kerr Ladies until I met Brenda Eastwood in 1991.

By this time I was organising an International Women’s Football Tournament, The Lancashire Trophy, and meeting Brenda gave me the idea of trying to organise a reunion of the team.

After a lot of hard work, the reunion took place in 1992 at the Lancashire Trophy. It was almost forty years since they had last been together and it was a very special and emotional night.

Meeting them made me realise that their story was bigger than anyone could imagine and I knew that something needed to be done quickly otherwise their amazing story could have been lost forever.

I spent the next two years researching their history and my book was first published in 1994.

I feel very proud of bringing these ladies back together because it really did change all of our lives. Had I not captured the wealth of information about them when I did, a huge slice of women’s sporting and social history would have been lost without trace.

A bit of history

The Dick, Kerr Ladies began playing football at a munitions factory in Preston during the First World War to raise funds for wounded soldiers. Dick, Kerr and Company Limited enlisted the help of thousands of women while the men were away fighting in France.

The Dick, Kerr Ladies played their first game at Deepdale, the home of Preston North End on Christmas Day 1917 in front of 10,000 spectators. They won 4-0 and raised £600 for the wounded soldiers. And so began the most incredible success story in the history of women’s sport.

They went from strength to strength and always played in front of big crowds. On Boxing Day 1920 they played at Goodison Park, Everton in front of 53,000 spectators and there was around 10,000-14,000 who were unable to get inside the ground!

By 1921 they were the team that everyone wanted to see and had been booked to play an average of two games a week. In that year they played over 65 games of football while still working full-time at the factory and almost 900,000 people came to watch them.

However, the FA was not happy with the ladies’ success and on 5 December 1921 the FA banned them from using League grounds and effectively changed the course of the women’s game forever. The ban lasted for fifty years and was probably the biggest sporting injustice of the last century.

Imagine what could have happened if the women’s game had been allowed to grow at the same rate as men’s football and the top female players had an equal status on and off the field.

A call to write

It seems to me that football has been treated differently than most other sports. For example, other sporting superstars such as Jessica Ennis and Mo Farah are recognised equally for their individual success, but equal recognition doesn’t happen in football. Why do you think this is? Is it the nature of the sport itself? Or the historical context that surrounds it?

What female players do you think would compare to the top male players today?

Do you think it unfair that female players such as Kelly Smith and Stephanie Houghton do not get the same recognition as say Wayne Rooney or Gareth Bale?

It’s important to think about what events or people inspire or challenge you when you’re choosing something to write about. Then you’ll be more inspired to research and write!

My own experiences as a player gave me the inspiration to write about the Dick, Kerr Ladies. Is there an event in your life, or an event in history or perhaps a role model that has inspired you? Think about it, then go write!

Gail Newsham

Gail Newsham is an ex-footballer and author of 'In a League of Their Own!', the official history of Dick, Kerr Ladies FC. Follow her on Twitter @GailNewsham

Thursday, 7 March 2013

Helena Pielichaty - 'In your face, Jason's dad!'

I’m delighted to be the first contributor to this exciting new blog, especially as the timing coincides with so many significant events such as International Women’s Day (March 8th),  World Book Day (March 7th) and the 125th anniversary of the Football League (1888–2013).  I can’t think of three things closer to my heart than celebrating equal rights for women, books and football, so my blog is going to combine all three strands.

Let me start with a true story.  On a chilly Saturday morning in March 1995, I was standing with my husband on the touchline of a primary school’s football pitch in Newark, Nottinghamshire, watching an inter-schools U11s match. The bloke next to me had been growing more and more agitated at his son’s performance.  Finally, after the boy was, once again, skinned by the ten-year-old girl he was trying to mark, the dad snapped. ‘What are you doing, Jason, you useless lump!  How can you let a lass tackle you like that? What’s wrong with you?’

‘Nothing’s wrong with him,’ I said, ‘it’s just that the girl is very good.’
 ‘But that’s just it: she’s a girl!’

The bloke was fuming, clearly disgusted at this world gone mad – so much so he stormed off, preferring to sit the rest of the match out in his car than on the pitch.

I’ll never know what happened to Jason, but I do know that the girl, my daughter, Hanya (pictured left, at West Bromwich Albion Ladies), would go on to play football at high school, at university, for her county and at senior level for many years to come.

I thought of that incident while researching the early development of the women’s game for the opening chapter of Here Come the Girls for Collins Read On!

I was reading through historian Patrick Brennan’s website, studying his section on the trailblazing British Ladies FC.

I already knew that the BLFC had been founded in 1895 by Nettie Honeyball and were an attempt by Honeyball and other members of the suffragist movement to show that: ‘women were more than mere ornaments.’

I also knew that the ‘Lady Footballers’ caused quite a stir and played over a hundred exhibition matches up and down the British Isles. What I didn’t know, until I read the appendix, was that one of those matches had taken place at Newark Town FC’s ground, not a mile from where I’d watched Hanya play.

I went to the library to track down the original match report and was amused to discover that the spectators then were a lot less hostile to girls playing than Jason’s dad appeared to be, a century later. The one-thousand strong crowd: ‘... no way resented the infringement perpetrated by the fair ones in donning semi-masculine attire.’  In your face, Jason’s dad!

Unfortunately other towns gave the British Ladies a much harder time, mocking them for ‘aping’ men and daring to even think they could play football. In Ayrshire, Scotland, a month later, for example, there was: ‘... quite a little riot. One of the ladies got a black eye from some ruffian, the crowd of savages broke in, and the players would not go on.’

What’s gratifying is that things have moved on so much in the women’s game, even since 1995. Nobody bats an eyelid when girls play football at primary and secondary school now, either on mixed teams or in all-girls teams.

Progress is evident at senior level, too. The England FA has finally started investing in the women’s game and in 2011 the Women’s Super League, featuring players paid on a semi-professional basis for the first time, had its inaugural season. To nurture future talent in the same way as men’s clubs do through boys’ academies, there are thirty-one Girls’ Centres of Excellence and a firm player pathway at grassroots level.

There’s been progress in the media, too. In 1995 you would have struggled to find anything about women’s game but now key international matches are shown on TV and the results reported in most papers.

Although attendance invariably and inevitably lags behind that of men’s matches, for the final of the women’s football event at the London 2012 Olympics, a whopping 80,203 crowd turned out to see USA beat Japan 2-1. Girls even have their own bespoke football magazine, She Kicks and there are several websites dedicated to the women’s game. It’s not all hunky-dory, though.

Sexism is never far from the surface as this recent piece in the Peterborough Times from February 22nd illustrates, calling ladies’ sport ‘dull’. There’s a way to go in other countries, too. I dedicated one of my Girls FC titles, So What if I Hog the Ball?, to Eudy Simelane, captain of the South African Women’s football team, who was brutally murdered in 2008 for being openly gay.

But let’s not dwell on the negatives. Let’s celebrate World Book Day by reading about women in sport. Let’s celebrate International Women’s Day by paying homage to Nettie Honeyball, Eudy Simelane and many, many more men and women who’ve made it easier for girls today to compete at the highest level in their discipline all over the world.  Last but not least let’s celebrate the 125th anniversary of the League because football rocks!

Tell us what you're doing for International Women's Day in the comments, or tweet @FreedomToTeach to win a free copy of Here Come the Girls!

Helena Pielichaty (pronounced Pierre-li-hatty) has written over thirty books for children. Her latest series, Girls FC, is set around a fictional girls’ football team so she was delighted to be asked to write her first non-fiction book for Collins Education on a subject close to her heart.