Monday, 8 July 2013

A Skulduggery Success Story

Bridget Young, English and Humanities teacher at The Holmewood School in London, tells us about her class’s rewarding experience using the Collins Readers schools edition of Skulduggery Pleasant in the classroom.

Skulduggery posters had been plastered around the school and in my classroom. The year nine students had many questions about these mysterious posters and little by little, I told them about the book, overstating the macabre.

‘Oh, you wouldn’t want to read that. It’s far too violent and scary.’
After a few days, the students had ‘convinced me’ to let them read it.




Like many teenagers their age, to show such interest in reading a novel is unusual for my students. On top of the regular distractions and reluctance to read, they all have a diagnosis of Autistic Spectrum Disorder.

While they are classed as ‘highly functioning’ on the autistic spectrum, encouraging my students to read something that is outside of their usual area of interest, or anything longer than a Facebook comment, can be a challenge.

I knew that if they weren’t engaged from the very beginning and if their interest wasn’t sustained, all manner of behaviours could manifest in the classroom and I would have lost them. They may have even flatly refused to read the book.

However, the students were hooked on Skulduggery right from beginning. The book works for students like mine because the story is fast-paced, with quick-witted dialogue, and while the language is accessible, it doesn’t talk down to them.

The characters are quirky and their interactions are both humorous and heart-warming.  The students laughed out loud in parts, and often read the story in class using different voices, which is a real achievement for them in developing their social imagination.  

Planning interesting lessons for this unit was easy, with an engaging scheme of work available for free on the Collins Education website.

The students enjoyed the assessment tasks, one of which asked them to write about what they would do with a personal clone for a day. A success criterion was included in the resources and the task was mapped to the national curriculum, which made it easy for me to plan and mark.

There are also many online interactive resources for this novel. The students watched interviews with the author, which helped them connect the story with the writing process. There is even an interview with Skulduggery Pleasant himself! This was great stimulus for our speaking and listening task, where the students were asked to hot-seat a character from the novel.

They also enjoyed creating their own Skulduggery Pleasant characters on the ‘character creator’, which is available on the Skulduggery Pleasant official website. They just loved to imagine that they were part of the Skulduggery world.

The first book ends on a cliff hanger, and the students couldn’t wait to read the next book. So we started a lunchtime book club, so that we could read and discuss the second book together.

Other teachers were shocked when they saw a group of year nine students reading of their own volition during their lunch break! Parents have also commented about how engaged in the novel their children are. It has been so rewarding to see the students develop a love of reading through Skulduggery Pleasant.

Bridget Young teaches English and Humanities at The Holmewood School London, which is a school for children with high functioning autism, Asperger's Syndrome and other specific learning difficulties. She is originally from Brisbane, Australia, but now calls Hackney, in East London, home.

Skulduggery Pleasant is Collins Reading's Book of the Month for July 2013. Take a look for loads of free classroom activities, blogs and planning resources, and a 20% discount on the Classroom Edition of the book during July!

Thursday, 4 July 2013

Teaching Skulduggery Pleasant



Compelling characterisation


The exciting action in Skulduggery Pleasant is played out by well defined and, at times, mysterious characters as written by author Derek Landy.

In particular, the two main characters, the skeleton detective, Skulduggery Pleasant, and young Stephanie Edgley, break stereotypical moulds as they defy our existing expectations of 12-year-old schoolgirls and of skeletons.

Landy also creates a suitably dark villain to challenge the duo. Nefarian Serpine, filled with cold malevolence, claims he is a man of peace, yet he will stop at nothing to learn other people’s secrets.

Even away from the magical underworld, in suburban Dublin, malice overflows and confronts Stephanie during encounters with her jealous and vindictive relatives, Fergus, Beryl and their twin daughters, Carol and Crystal. The conflicts and challenges abound for our two heroes.

Encouraging detailed and inferential reading of the novel


Skulduggery’s Pleasant’s comment, ‘Looks are more often than not deceiving ... surface is nothing’, is a great starting point for considering the ways in which Landy explores the themes of magic and betrayal in the book.

The novel provides substantial evidence to underline how fatal it is to make judgements based on first observations. Students could be encouraged to keep an individual record of such findings in the novel, and then produce interesting and varied display material revealing how things are not always what they seem in Skulduggery Pleasant.

A starting point for the activity might well be a consideration of the front cover and the impression it makes:



What do students expect from this dark, skeletal creature? Is he good or bad? What do the suave and snazzy clothes suggest? Does he look like jokester? Is he a hero or a villain?

Studying the writing


The quality of the author’s writing is an essential consideration when selecting a class reader. If you open Year 7 with Skulduggery Pleasant, a good model for students’ own writing could stem from foregrounding Landy’s development of tension.

His presentation of emotional friction, arousal of fear, varying chapter endings to maximise suspense is well worth exploration: some scenes end at moments of high drama and some with no more than a wry observation or pithy phrase.

I would also recommend a focus on Landy’s use of wordplay via understatements and hyperbole that add excitement and fun to the teasing and taunting of the conversational banter between the two lead characters.

The universal themes in this novel have a distinct appeal in study as well:  

  • relationships                                                                                  
  • loss                                                                                  
  • identity                                                                                
  • betrayal
  • death.

Gaining insight through referencing other texts

Given the fact that fantasy novels are devoured and enjoyed by young teenagers, Skulduggery Pleasant is a class reader that certainly offers a great opportunity for fruitful interaction with similar texts. Incorporating an intertextual activity seems essential to the exploration of this novel. To seriously enhance the reading, I would urge students to reflect on similarities and contrasts between the class reader and other works in this field with a view to opening discussion on one or more of the following:

  • the conventions of fantasy narrative
  • creation of the extraordinary
  • female roles in fantasy
  • presentation of good and evil
  • misjudged characters
  • predictability and surprise in the genre

Download the free Scheme of Work for Skulduggery Pleasant, which includes a classroom activity exploring Landy’s building of tension in the novel, including a look at ‘Appearance vs Reality’.
See also the new free PowerPoint Teacher Lesson for downloading, in which students write their own free verse poem telling a tale of life with a superpower.

Jan Jarrett grew up in the West Midlands. After accompanying her husband Stephen on a two year business contract to East Africa, Jan devoted a number of years to family life and four young children. The family then moved from Birmingham to Norfolk where Jan seriously began her professional career. Over a period of 30 years she has worked as an English teacher, a Head of English, English Adviser, Teenage fiction reviewer and Freelance Consultant. She claims her main focus throughout has always been and will always be generating good practical ideas for the classroom.